Cannes Review: Ryan Reynolds Gets Lost in the Snow in Atom

Cannes Review: Ryan Reynolds Gets Lost in the Snow in Atom

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5(375)

If you take the techno voyeurism of Speaking Parts, the disquieting sexuality of Exotica and the imperiled children from The Sweet Hereafter, stick ’em in a blender and pour over ice, you end up with The Captive, a film too absurd to take seriously, but too strange to ignore.

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